
Streaming, processing, and automation for media production. We build the technical backbone that powers broadcasts, podcasts, live events, and content pipelines.
Great content deserves great infrastructure. We build the technical systems that power audio and video production — from low-latency streaming pipelines to automated media workflows, broadcast switching, and native audio plug-ins shipped to every major DAW.
We engineer streaming pipelines that hold up under real production load. RTMP for ingest, SRT for reliable hops over unreliable networks, HLS and DASH for adaptive delivery. We sit on top of FFmpeg, Node.js media servers, and edge transcoders to multi-cast a single source to Twitch, YouTube, custom CDNs, or your own player — with a transcoding ladder shaped to the bitrate budget and the audience.
Process thousands of files without manual touch. We build pipelines that ingest source media, normalize loudness, convert formats, generate thumbnails and waveforms, extract metadata, and push results into your asset management or NLE. FFmpeg under the hood, queued and orchestrated so the throughput scales with the workload.
Live production is repetitive — and humans get tired. We automate the parts that benefit from precision and consistency — switching, graphics, lower thirds, replays, transitions, playout. NDI and Dante to move signal across the building, Blackmagic ATEM and HyperDeck under programmatic control, and OBS / OBS.Ninja for the producer layer. Smaller crews, more reliable shows.
When the work calls for a native audio tool, we build it. JUCE 8 for cross-platform AU and VST3 development, real-time DSP designed for low-latency host environments, parameter automation that every supporting DAW can drive, and a hands-on UI that feels at home on Ableton, Logic, Pro Tools, FL, Cubase, Reaper, Studio One, Bitwig, Reason, and the rest.
Graduated Multi-Step Filter Sequencer
An in-house AU / VST3 plug-in that runs your audio through up to eight parallel filter bands, each with its own envelope drawn across a step sequencer locked to the DAW's bar clock. Seven filter types, per-step envelopes for magnitude, cutoff, resonance, Q, and detune, full automation, and a hard-reset or smooth-fade loop boundary. A working example of the audio engineering work we ship.
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